《顛覆與重建——後批評中的價值體系》是於2002年5月社會科學文獻出版社出版的一本圖書，作者是毛崇傑。
內容簡介,目錄,
內容簡介
本書竭力把深切的人文關懷與求真、求實的科學精神結合起來，從哲學價值學與認識論、論理學、美學的關係論述了後現代——全球化語境下的虛無主義和實用主義對真善美的顛覆，並致力於馬克思主義對這些人類珍貴价值體系的重建。作者力求思辨性與實證性的結合，對人們普遍困惑的重大問題如腐敗為何如此猖獗並愈演愈烈、其根源何在，給予了歷史唯物主義的回答。本書最大的特色在於發揮了馬克思主義在後現代多元文化中的闡釋優勢，從文學“痞”到《廢都》、《白鹿原》，從張藝謀的電影到譚盾的交響樂，再到前衛美術與行為藝術，作者都予以了精彩評述與理性批判。
目錄
前言····································· 1
上卷
一 文學批評自身價值的實現···························3
（一）文學批評的價值··························· 3
（二）對於批評的批評··························· 7
（三）標準的顛覆及其相對性問題······················11
（四）從藝術對現實的關係看批評標準····················17
（五）真理的後現代境地與批評的價值實現（上）···············20
（六）真理的後現代境地與批評的價值實現（下）···············27
（七）詭辯術及其在批評中的運用······················35
（八）文學批評與文化批評·························39
（九）信仰危機與價值遮蔽·························45
二 文學批評價值體系的哲學探討························ 59
（一）文學批評與價值體系·························60
（二）哲學“價值一般”範疇與“價值學”··················62
1．價值範疇的四種類別························· 66
2．價值判斷中的同義反覆問題······················ 68
3．“價值一般”範疇與馬克思評華格納·················· 71
4．價值範疇與現代哲學························· 76
三 價值與真理································ 80
（一）關於“事實真理”與“價值真理”····················81
（二）關於所謂“貓論”···························92
（三）科學研究中的真理與價值問題······················97
（四）價值的期待與實現—需要/滿足····················107
（五）人文/科學/真理··························114
1．真理與主體價值選擇························· 115
2．過程真理與“事後真理”······················· 117
3．人文知識與人生幸福························· 119
4·“命運”與“事實”能分離嗎？···················· 123
四 價值與善································126
（一）對“善”之發生學考察························127
（二）文學批評與功利主義倫理學······················137
（三）“道德批評”與“政治批評”問題···················147
（四）善與惡—目的與手段·························158
（五）自由、人的價值與歷史的終結·····················163
五 價值與美································175
（一）關於“美是價值”說·························175
（二）文本意義的客體性及其解讀······················183
（三）美與使用價值····························192
（四）美感與功利觀····························200
（五）形式的價值·····························206
（六）美學與文化全球化問題························219
1．美學“在場形上學”的遮蔽······················221
2·“解魅’·一“去聖”與文化全球化···················229
3·美學新烏托邦—在場的不在場性·····················235
4·“藝術的終結”與美學的敞開······················240
下卷
第一編 人·主體性·批判的理性
一“人是馬克思主義的出發點”嗎？······················245
二“馬克思主義出發點”問題再探·······················259
（一）《手稿》已經把費爾巴哈和赫斯
“遠遠地拋在後頭”了嗎？······················260
（二）“現實的人也就是異化的人”嗎？···················265
（三）馬克思主義的出發點究竟是在“人自身”
還是在“人之外”呢？························271
三 理性的批判與批判的理性·························281
—文學創作和批評的主體性
（一）理性向自身的追問··························281
（二）“物化”時代文學的“反拜物”性···················289
（三）批判的理性在新時期文學中的闡釋功能·················296
（四）“啟蒙”與“批判的理性”
——人文知識分子的使命·······················307
第二編 現代性·後現代性·知識譜系
一 學術史的客體性與主體性·························313
（一）學術史怎樣成為問題？························314
（二）1990年代學術史面對的文化語境····················320
二 關於“新歷史主義批評”之再探······················ 326
（一）新歷史主義的歷史機緣························328
（二）新歷史主義的操作··························339
（三）新歷史主義批判···························345
三 後現代“知識”與“遊戲”························ 349
（一）“現代性”、“大敘事”與“知識本性”················349
（二）“合法化”的解除與“悖論邏輯”的合法化···············354
（三）知識分子喪鐘····························356
（四）對利奧塔“知識報告”之批判·····················361
（五）“遊戲”說—從“城邦”到“遊戲機”·················365
（六）加人“後”樂園中羅蒂的“後現代文化”················369
四 孔子與老莊思想與後現代語境······················· 374
（一）孔子的功利主義—義利觀·······················375
（二）老莊學說中的“道”、“理”與“虛無”················380
（三）道德虛無主義的批判意義及其局限性··················384
五 民粹主義與啟蒙主義在中國························ 392
（一）作為啟蒙主義對立物的民粹主義····················393
（二）關於民粹主義的“東方化”問題····················396
（三）“走資本主義道路的當權派”與失去的所指···············403
第三編“有夢有魔”·“無夢有魔”·“無夢無魔”
一 論巴爾扎克現實主義的根源························414
二 新時期文學存在主義循跡·························426
三 從“受虐”到“自虐” ························· 440
——當世中國文人魂的一路旅程
四 文化虛無與實用籠罩著的“痞” ····················· 460
（一）作為“非個性化”文學的“痞子”群像·················462
（二）“痞”性文學的文化性格特徵·····················468
（三）夾在“虛無”與“實用”中的“痞”··················473
（四）“痞”之美學、道德與歷史定位····················476
五 後現代幽默混濁與“世俗歡樂”······················482
六“關中大儒”非“儒”也··························488
——《白鹿原》解讀及其美學品質芻議
七 走向“超大敘事”的東方文化 ······················ 504
——讀譚盾後現代音樂文本《天地人一1997)
八 末世的反叛·······························507
—百年“前衛”運動的最後一筆 ····················· 510
九 張藝謀：現代一後現代一後之後 ····················· 519
（一）在傳統一現代一後現代之間······················520
（二）後現代藝術的“真實”與“再魅化”可能················525
（三）在雙向探索的道路上·························531
（四）為後殖民批評中的張藝謀一辯·····················534
十 什麼是我們可以抉擇的？·························541
（一）改革存·不改革則亡·························541
（二）從來就沒有什麼救世主························545
後記····································548
