《來自東方的視角：莫言小說研究文集》2016年清華大學出版社出版的圖書，作者是蔣林、金駱彬。
基本介紹
- 中文名：來自東方的視角：莫言小說研究文集
- 作者：蔣林、金駱彬
- 譯者：蔣林、李艷
- 出版社：清華大學出版社
- 出版時間：2016年5月1日
- 定價：78 元
- ISBN：9787302427193
內容簡介,圖書目錄,
內容簡介
本書收錄了三十餘年來自中國大陸、香港和台灣學者的14篇論文。這些論文對莫言作 品進行了深入的思考和探討，從巨觀、微觀和比較三個方面給我們呈現了最具有啟發意義 的莫言小說研究成果。巨觀的研究成果涉及的主題包括莫言與中國精神、莫言的啟示、魔 幻化與本土化、民間性等；微觀的研究成果則圍繞莫言創作的小說進行深入的剖析，涉及 的小說主要有《透明的紅蘿蔔》《生死疲勞》《紅高粱家族》《豐乳肥臀》《酒國》《檀 香刑》《蛙》等；文集最後一篇研究論文則比較了莫言與福克納創作的作品在主題、形式 和內在精神上呈現出的不同文化意蘊和個性風格。
圖書目錄
Introduction
Jiang Lin and Li Yan .........................................................................i
Preface
Jiang Lin ........................................................................................ iii
Mo Yan and the Chinese Mind
Li Jingze ..........................................................................................1
Originality and Transcendence: What Mo Yan Has
Enlightened Us
Guo Jie ..........................................................................................11
Hallucination, Localization and Folk Narrative
Tradition: Mo Yan and Literary Criticism
Cheng Guangwei ..........................................................................24
Folkness and Literature: e Chinese Experience in Mo
Yan’s Narratives
Zhang Ning ...................................................................................52
Mnemonics: Intergenerational Metaphor, Ideological
Fantasy and Memory Field: A Reading of Mo Yan’s e
Transparent Carrot
Wang Min ......................................................................................82
Childhood Narrative: The Richness of Meanings in
Reinterpretation of Mo Yan’s e Transparent Carrot
Wang Yusong ................................................................................98
viii
Samsara, Violence and Satire: A Discussion of the Absurd
Narration in Mo Yan’s Life and Death Are Wearing Me Out
Wu Yaozong ................................................................................114
The Carnivalesque Narrative of the Devil Dance: Mo
Yan’s Narrative Characteristics in Red Sorghum Clan
Ding Guoxing and Chen Haiquan ..............................................138
The Historical Image and the History of the Image: A
Discussion of Gains and Losses in Mo Yan’s Red Sorghum Clan
Jiang Chun ..................................................................................154
Is Big Breasts and Wide Hips an “Almost Reactionary
Work”? : Comments on the Conceptions and Methods
of Mr. He Guorui’s Literary Criticism
Yi Zhuxian and Chen Guo’en ......................................................172
e Fact and Fable in e Republic of Wine: About Mo
Yan’s Narrative Strategies
Zhou Yingxiong ..........................................................................186
Elegy of History and the Swan Song of Life: A Discussion
of Mo Yan’s New Novel Sandalwood Death
Han Chen ....................................................................................199
“Biopolitics” and Historical Writing: A Discussion of
Mo Yan’s Frog
Li Songrui ...................................................................................219
Mo Yan and William Faulkner: Construction and Interpretation
of Folk Mythology
Li Yingfeng ..................................................................................235
Notes on Contributors ................................................................247
Notes on Translators ..................................................................252
Appendix: Partial Lists of Mo Yan’s Works in Both
Chinese and English ...............................................................254
