《中國詩詞曲史略》是一本2022年北京大學出版社出版的圖書，作者是張伯偉。
基本介紹
- 中文名：中國詩詞曲史略
- 作者：張伯偉
- 出版社：北京大學出版社
- 出版時間：2022年10月1日
- 開本：16 開
- 裝幀：精裝
- ISBN：9787301333310
內容簡介,作者簡介,圖書目錄,
內容簡介
《中國詩詞曲史略》所論述的，是以漢語為表現媒介的詩詞曲，在中國文化精神的影響下產生和變遷的歷史。全書由上下兩編構成。上編為詩歌概論，從詩字原始觀念的形成、《詩經》和《楚辭》，論述到少數民族詩人和域外漢詩，在最廣泛的範圍中展示了中國詩學在技巧上、題材上、語言上和審美趣味上的變化；下編為詞曲概論，全面考察了從詩到詞、從詞到曲的轉折，並且比較了詩詞曲在形式、內容和風格上的異同，勾勒出詞曲歷史的發展脈絡。最後，綜合詩詞曲中白話因素的不斷增強，指出新詩在整體上取代舊詩的歷史必然。本書有兩個寫作重心，一是注重中國詩學初創期和轉型期的討論，包括觀念和技巧、題材和審美趣味；另一個重心是注重詩歌語言的變遷，重點從這兩個角度描述了兩千五百年詩詞曲的複雜而曲折的變遷史。
作者簡介
張伯偉，南京大學文學院教授、域外漢籍研究所所長。曾任日本京都大學、韓國外國語大學及台灣大學、香港科技大學、香港浸會大學客座教授。著有《中國古代文學批評方法研究》（2002）、《全唐五代詩格匯考》（2002）、《清代詩話東傳略論稿》（2007）、《東亞漢籍研究論集》（2007）、《禪與詩學》（2008）、《作為方法的漢文化圈》（2011）、《域外漢籍研究入門》（2012）、《東亞漢文學研究的方法與實踐》（2017）、《日本世說學文獻序錄》（2021）等；編纂《朝鮮時代書目叢刊》（2004）、《中華大典·文學理論分典》（2008）、《朝鮮時代女性詩文集全編》（2011）、《日本世說新語注釋集成》（2020）等。
圖書目錄
新版前記 ···················································································1
導 言 ······················································································5
上編 詩歌史略
第一章 “詩”字原始觀念的形成及其流變 ······································11
第一節 “詩”字古義檢討 ·····················································11
第二節 “詩”的觀念從宗教到人文的展開 ································13
第三節 從“詩”的早期觀念看中國詩學的若干特質 ···················19
第二章 溫柔敦厚和香草美人——中國詩學的初建 ····························23
第一節 春秋戰國時期詩歌的地域性 ········································23
第二節 “《詩經》學”上諸概念的詮釋 ···································26
第三節 《楚辭》的興起 ·······················································41
第三章 秦漢大一統制度下的詩歌 ·················································53
第一節 秦漢文化政策及其對詩歌的影響 ··································53
第二節 樂府詩的消長 ··························································57
第三節 文人五言詩的形成與成熟 ···········································67
第四章 士人之詩與貴游之詩 ·······················································73
第一節 “五言騰踴”的建安詩壇 ············································73
第二節 士人之詩的系列及特徵 ··············································80
第三節 貴游之詩的系列及特徵 ··············································94
第五章 唐詩的發展 ·································································114
第一節 南北文風的交融和唐詩面貌的形成 ······························115
第二節 盛唐氣象 ·······························································123
第三節 唐詩的新變局 ·························································136
第六章 宋詩的特徵及其形成 ·····················································149
第一節 宋詩產生的文化背景 ················································149
第二節 宋詩的發展及其特徵的形成 ·······································154
第七章 少數民族詩人的崛起 ·····················································172
第一節 遼 朝 ··································································174
第二節 金 源 ··································································177
第三節 元 代 ··································································182
第四節 清 代 ··································································188
第八章 域外漢詩總說 ······························································194
第一節 朝鮮半島漢詩 ·························································195
第二節 日本漢詩 ·······························································206
下編 詞曲史略
第九章 詞體的形成 ·································································229
第一節 詞體的起源音樂與文學 ·············································229
第二節 詞體的形成——從《雲謠集》到《花間集》 ··················231
第三節 詩詞異同兼論詞體的特徵 ··········································236
第十章 兩宋詞的發展 ······························································244
第一節 從伶工之詞到士大夫之詞 ··········································244
第二節 慢詞的創新與詞境的升華 ··········································248
第三節 格律詞和豪放詞的發展 ·············································255
第十一章 清代詞學的“中興” ··················································272
第一節 清初詞壇 ·······························································272
第二節 清詞流派 ·······························································278
第十二章 散曲的形成與特色 ·····················································292
第一節 散曲的淵源與形成 ···················································292
第二節 散曲的特徵 ····························································297
第十三章 散曲的發展 ······························································304
第一節 元散曲 ··································································304
第二節 明散曲 ··································································316
第十四章 從舊詩到新詩 ···························································327
第一節 傳統詩詞曲中白話因素的演變 ····································328
第二節 新詩的發展 ····························································335
參考文獻 ················································································346
