Andrea Baldini

Andrea Baldini

Andrea Baldini博士,義大利籍,美國天普大學哲學博士,南京大學副教授、擔任南京大學中意文化研究中心主任、留學項目“馬可波羅足跡”的協調員等職務。同時他還為南京大學研究生和本科生開設西方藝術史、藝術鑑賞與策展等英文課程。

基本介紹

  • 外文名:Andrea Baldini
  • 國籍:義大利籍
  • 畢業院校:美國天普大學
  • 職稱:副教授
人物介紹,貢獻,獲獎記錄,專著,發表論文,研究課題,

人物介紹

Andrea Baldini,義大利人,南京大學藝術學院藝術理論與美學副教授。在美國費城天普大學哲學系獲得博士學位。主要研究方向為藝術哲學、美學和視覺文化,特別是它們與套用倫理學、社會和政治哲學、公共政策和城市傳播等領域的交叉。關注藝術和創造性行為如何賦予公共空間價值,以及如何塑造和重塑公共空間的作用、功能。
2018年12月13日,Baldini博士入選江蘇青年友好使者,並參加了在南京、蘇州兩地由省政府外事辦公室、蘇州市政府外事辦公室聯合舉辦的公共外交培訓班。作為青年友好使者,他正在聯繫義大利都靈大學,推動在南大建立中意文化中心,促進雙方高校師生交流學習。
2019年 7月22日,在第21屆國際美學大會開幕式上,Andrea Baldini博士被正式任命為國際美學協會(IAA)總代表(delegate at large),任期為2019~2022年。

貢獻

2018年江蘇青年友好使者
留學項目“馬可波羅足跡”的協調員
2019-2022國際美學協會總代表

獲獎記錄

Top Paper in Urban Communication,2016 NCA

專著

ANDREA BALDINI;I Fought the Law and the Law Swanned: Art and Law in the Post-Graffiti Era;Koninklijke Brill,;2018

發表論文

There and Back Again: Redistributing Visibility between theVirtual and Real Alleys of Graffiti;E-Flux Architecture;2017
Beauty and the Behest: Distinguishing Legal and AestheticJudgment in the Context of 21st Century Street Art and Graffiti;La Rivista di Estetica;2017
Knitting a Community Back Together: SpontaneousPublic Art as Citizenship Engagement in Post-Earthquake L’Aquila;Territories of Political Participation. Public Art, Urban Design, andPerformative Citizenship, Milano: Mimesis International;2017
Wild Vegetables, Salsa, and Street Art. Cultural and Ecological Developments in the Chinese Provincial Landscape;Lo Squaderno;2016
公共藝術品的特質及其詮釋;文藝研究;2016
On the Site-Specificity of Public Art,TheoreticalStudies in Literature and Art (文藝理論研究),2016
Editor’s Foreword: Interpreting Arts Across Cultures;TheoreticalStudies in Literature and Art (文藝理論研究);2016
Street Art: A Reply to Riggle;"The Journal of Aesthetics and ArtCriticism ";2016
"Quand les murs de bétonmuets se transformenten un carnaval decouleur. Le street art commestratégie de résistance sociale contre le modèle commercial de la visibilité(英文名:When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of Social Resistance against the Corporate Regime of Visibility)";Cahiers de Narratologie;2016
Muri addomesticati? Street art, musei e ribellione” [Street art, museums,and rebellion];Street Art. Banksy & Co., Bologna: Bononia UniversityPress;2016
Identity and Interpretation of Public Artworks: A Challenge to Intentionalism;Culture-Society-Education (Kultura – Społecze ´nstwo – Edukacja);2015
An Urban Carnival on the City Walls: The Visual Representation of
Financial Power in European Street Art;Journal of Visual Culture;2015
Tom Finkelpearl’s What We Made: Conversations on Art and Social Cooperation;Journal of Aesthetic Education;2015
Doris Sommer’s The Work of Art in the World;The Journal of Aestheticsand Art Criticism;2015

研究課題

ANDREA BALDINI,2016—present,PHILOSOPHY OF THE ARTS IN THE PUBLIC DOMAIN (公共領域中的藝術哲學),南京大學項目;獎項:Top Paper in Urban Communication,2016 NCA (awarded to papers included in the Top Paper Panel at the National Communication Association)
ANDREA BALDINI,2014—2016,
THE NON-AESTHETIC FUNCTIONS OF SPONSOREDAND SPONTANEOUS FORMS OF PUBLIC ART: ON THE THERAPEUTIC VALUE OF THE NANJING MASSACREMEMORIAL AND THE SUBVERSIVENESS OF STREET ART;來源:NJU, China Ministry of Education

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