馮內古特的後現代主義小說藝術

馮內古特的後現代主義小說藝術

《馮內古特的後現代主義小說藝術》是2010年外語教學與研究出版社出版的圖書。

基本介紹

  • 書名:馮內古特的後現代主義小說藝術
  • ISBN:9787560093482
  • 頁數: 252頁
  • 出版社:外語教學與研究出版社
  • 出版時間:2010年1月1日
  • 裝幀:平裝 
  • 開本:16
內容簡介,目錄,

內容簡介

《馮內古特的後現代主義小說藝術》根據辯證唯物主義和歷史唯物主義的基本觀點,全面、深刻、系統地揭示了美國當代小說家馮內古特的後現代主義藝術追求與實踐——他堅持人道主義思想,用不斷創新的藝術形式來表現後現代人類經驗和對世界的人文主義關懷,並注重藝術與生活、文本與歷史和現實之間的關係,以其構築的象徵符號系統來把握並揭示現實和歷史的真實面貌。

目錄

序言
前言
Abbreviations of Vonnegut's Works Introduction Vonnegut: A Postmodernist Novelist with
Humanistic Ideas
Chapter 1 Historical and Theoretical Contexts
I. The Historical Context for Vonnegut's Humanism
II. The Theoretical Context for Vonnegut's Postmodemist Innovations
1. The General Scene of the Postmodern Culture
2. Derrida's Theories of Deconstruction
3. Lyotard's Delegitimation
4. Hassan's Aesthetic Characteristics of Postmodemist Art
5. New Historicism
6. Vormegut's Postmodernist Sense of Chaos
Chapter 2 Vonnegut's Deconstruction of the Real World
I. Vonnegut Deconstructs Science and Technology
1. Machine: The Cause of Loneliness of Human Beings
2. Science: The Cause of the Destruction of the Human World
II. Vonnegut Deconstructs the Capitalist Society
1. The Dirty Source and Implications of the Capitalists'Money
2. The Law Only Protects the Capitalist America
3. Capitalism Destroys the Environment and Culture
Chapter 3 Vonnegut's Reconstruction of the Real World
I. Dignity Against Mechanization
II. Kindness Against Warm. Fellowship Against Loneliness
IV. Survive by Ceasing to Be Fully Human
V. The Ways to Adapt to Chaos
1. Black Humor
2. Schizophrenia
3. New Religions
Chapter 4 Vonnegut's Deconstruction of the Fictional World
I. The Development of the Novel from Realism to Modernism and Postmodernism
II. Meta fiction
IV. Vonnegut's Meta fictional Novels
1. Slaughterhouse-Five: A Novel About How to Write ThisNovel
2. Breakfast of Champions: An Anti-Novel
3. Deadeye Dick: The Meta fictional "Plays-Within-the-Play"
IV. The Aesthetic Features of Vonnegut's Deconstruction of the Fictional World
1. Indeterminacy in Meaning and Narration
2. Fragmentation in the Text
3. Decanonization: The Delegitimation of the Grand Narratives
4. Selflessness, Depthlessness: Postmodem Peoplem All Kindsof Machines
5. The Unpresentable, Unrepresentable Subjects
……
Chapter 5 Vonnegut'S Reconstruction of the FictionalWodd
Chapter 6 Vonnegut'S Tendency Toward New Historicism Conclusion Vonnegut: A New Direction——Constantly Innovatingin Forms to Express Profound Meaning Works Cited Index
後記

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