羅伯特·曼戈爾德

羅伯特·曼戈爾德

Robert Mangold是代表性極少繪畫的藝術家,是喜歡把人為的設計扔得很徹底的21世紀新典型派藝術家

基本介紹

  • 中文名:羅伯特·曼戈爾德
  • 外文名:Robert Mangold
  • 出生地:紐約州 北托納旺達
  • 出生日:1937年10月12日
  • 成就:美國極少主義畫家,現代主義畫家
簡介,畫風,極少主義藝術,作品,藝術作品,相關出版物,

簡介

畫風

他熱衷於理念的醞釀,對將理念轉為藝術作品反而不感興趣,使曼戈爾德著迷的是將部分組合為一的那類作品,他同時喜歡可見幻象的要素。他的畫多年來維持著高度激變的狀態,它們包括以噴畫方式作成的木板畫和布面畫作,後者以畫布的形式和內容發掘幾何比例在畫布上的關係。

極少主義藝術

極少主義藝術(MinimalArt):
20世紀50年代以美國為中心的美術流派。極少主義藝術源出於抽象表現主義,屬於抽象表現主義的直接後裔。極少主義藝術家力圖將造型語言精練化﹑純粹化,將抽象表現主義繪畫中依然存在的圖式﹑形象或空間按M.杜桑“減少﹑減少﹑再減少”的原則進行處理,畫面減少到最基本 的幾何形,色彩精純到最起碼的原色,空間壓縮到最低限的二維形式。經過這樣極端化後的畫面,提供人們的反祗是純粹的視覺刺激和心理震盪,因此又被稱作 A﹑B﹑C藝術。

作品

藝術作品

《雅典系列之三》(Attic Series Ⅲ)1990年作
《雅典系列之三》《雅典系列之三》
丙烯顏料與有色鉛筆,畫布,229x310cm
私人收藏。
不規則的帆布底邊與地面平行,畫面使用滾筒完成。此畫是畫家28幅作品系列中的一幅,畫名則源自紐約大都會博物館中的希臘壺。這件極少主義藝術作品沒有具體形象,也沒有感情與動態。曼戈爾德刻意扭曲一個正確的幾何形式,以質疑我們理解事物的方式。
Column Structure系列Column Structure系列
Column Structure XII, 2006Column Structure XII, 2006
Ring Image K, 2010Ring Image K, 2010

相關出版物

書名:《Robert Mangold》
內容:Robert Mangold個人作品集。展示了這位二十世紀西方藝術家各個時期的代表作品,包括繪畫、公共建設和草稿。
ISBN:0714838195
作者:Robert Mangold
出版:Phaidon
出版時間:2004年
頁數:336 pages
尺寸:25cm x 25cm x 4cm
《Robert Mangold》英文介紹
Robert Mangold is a pre-eminent figure in post-war painting. His large, gently curving paintings are among the most majestically beautiful abstract works of the late twentieth and early twenty-first centuries. In contrast to the sober austerity of his Minimalist peers, with whom he is often associated, Mangold uses unusual, subtle colours and soft, hand-drawn geometries, endowing his large-scale paintings with a unique sensibility and presence.
This is the first major monograph on one of most significant contemporary painters working today and is a timely retrospective on his work, made in close association with the artist himself. Mangold’s work is celebrated in this important book by some of contemporary art’s most prestigious writers.--This text refers to the Paperback edition.
From the Publisher:
Robert Mangold is a pre-eminent figure in post-war painting. His large, gently curving paintings are among the most majestically beautiful abstract works of the late 20th century. In contrast to the sober austerity of his minimalist peers, with whom he is often associated, Mangold uses unusual, subtle colours and soft, hand-drawn geometries, endowing his large-scale paintings with a unique sensibility and presence. This is a monograph on one of most significant contemporary painters working today and is a timely retrospective on his work, made in close association with the artist himself. Mangold's work is celebrated in this book by some of contemporary art's most prestigious writers, among them Robert Storr, Curator of Paintings and Sculpture at The Museum of Modern Art, New York.

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