這是一支來自俄羅斯的電子歌特樂隊，樂隊成立於1996年，屬於實驗音樂。從1999年初的幾個老熟人的"神秘實驗者" ，成為永久樂隊成員，樂團名字改為 Theodor Bastard。”pustota“ 是該樂隊的第6張專輯，我也是在youtube看視頻的時候偶爾看到這個樂隊的mtv的，從mtv上還能看出樂隊的思想含在音樂內。 緩慢而帶略帶悲傷聲音，混合著略帶宗教音樂的伴奏。樂隊使用現代的音樂手法，加入民族的音樂在內。
The band's life started in 1996, when the first humming, clashing and boiling sounds appeared in the computer of one "professional experimental music profanator" called Fedor Svoloch. The first records were marked by a truly inhumane attitude to sound and harmony, biting mockery at all styles and trends. Kitsch pop and noise ambient, analog experiments and microwave - nothing escaped his taunts. From the beginning of 1999 a few old acquaintances of the "mysterious experimenter" became permanent band members, changing the project's name to Theodor Bastard.
The band's live gigs five years ago were noise performances conveying the ideas of alienation, dehumanization of conscience, mechanization of the environment.
Coloured lamps dazzled listeners and drove them into the state of trance. Band members appeared on the stage in anti-gas masks and ingenious gadgets that looked like helmets of "universal soldiers". Mournful tunes flowed over sounds of breathing, occasionally consumed by guitar noise.
In the beginning of 2001 the first live record, "Live in Heaven" was made in the Gallery of Experimental Sound with Yana Veva's vocals, which was quite fed up with playing guitar and clay whistle-toy.
Then the band started its cooperation with American label "Invisible records", taking part in the tribute to Pigface "From Russia with love". By the beginning of 2002 the style of THEODOR BASTARD started to crystallize gradually, previously balancing on the edge of acid gospel/world music/trip-hop. Harsh noises yielded to European gothic music and ethnical music of Oriental countries. That was the time when "Live in Heaven", the live album of the band, was finally produced. After that the band started to prepare for the record of their new album "Pustota".
Studio work was advancing at an extremely slow pace, and it sometimes took several months to record a single song. At the same time the band continued to play live at various festivals and cooperated with other collectives (Volga, Spies Boys, Ole Lukkoe). In 2002 a real puzzle for listeners was produced at Species Of Fishes/Planktone label - a braintwisting voiceless album "BossaNova_Trip", in no way correlated to the true sound of the band.
By the end of 2003 after an improvised tour over Belgium the band finally completed its work over the recording of the album and sent demos to many European and American labels. The reaction was unexpectedly active - quite many proposals were received. In January 2004, after long talks and discussions, the musicians decided to choose the German label "Pandaimonium" in Europe and two Mexican labels "Art Records" and "Noise Kontrol" that combined their efforts to produce this album in America.
