The Girl Who Died

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'Is this the best crime writer in the world today?' The Times 'A world-class crime writer . . .' Sunday Times 'TEACHER WANTED ON THE EDGE OF THE WORLD. Una knows she is struggling to deal with her father's sudden, tragic suicide. She spends her nights drinking alone in Reykjavik, stricken with thoughts that she might one day follow in his footsteps. So when she sees an advert s...(展開全部) 'Is this the best crime writer in the world today?' The Times 'A world-class crime writer . . .' Sunday Times 'TEACHER WANTED ON THE EDGE OF THE WORLD. Una knows she is struggling to deal with her father's sudden, tragic suicide. She spends her nights drinking alone in Reykjavik, stricken with thoughts that she might one day follow in his footsteps. So when she sees an advert seeking a teacher for two girls in the tiny village of Skálar - population of ten - on the storm-battered north coast of the island, she sees it as a chance to escape. But once she arrives, Una quickly realises nothing in city life has prepared her for this. The villagers are unfriendly. The weather is bleak. And, from the creaky attic bedroom of the old house where she's living, she's convinced she hears the ghostly sound of singing. Una worries that she's losing her mind. And then, just before Christmas, there's an unexplained death and Una's life going from bad to worse . . . Praise for Ragnar Jónasson' 'It is nothing less than a landmark in modern crime fiction' The Times 'This is Icelandic noir of the highest order, with Jonasson's atmospheric sense of place, and his heroine's unerring humanity shining from every page' Daily Mail 'Triumphant conclusion. Chilling, creepy, perceptive, almost unbearably tense' Ian Rankin 'This is such a tense, gripping read' Anthony Horowitz 'Brilliantly effective. Each book enraptures us' The Times Literary Supplement 'Superb . . . chilling . . . one of the great tragic heroines of contemporary detective

The Girl Who Died

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