《英語電影與西方文化批評流派》共有八個部分分別論述了英語電影對西方大眾文化的影響作用，大眾文化與電影發展簡史，影響西方大眾文化的主要電影節與著名的影視機構，電影作品的評價標準與文化價值，英語電影的分級及其專業辭彙，英語電影的主要題材及其藝術特徵等內容。
基本介紹
- 書名：英語電影與西方文化批評流派
- 作者：蔡聖勤
- 出版日期：2012年10月1日
- 語種：簡體中文
- ISBN：9787307101227
- 外文名：English Films and Western Critical Approaches
- 出版社：武漢大學出版社
- 頁數：212頁
- 開本：16
- 品牌：武漢大學出版社有限責任公司
內容簡介,圖書目錄,
內容簡介
《英語電影與西方文化批評流派》對英語電影的批評方法的介紹與套用方面加大了比重，均為國外最新的學術成果概述和評論，內容還注重了從理論到實踐的過渡，每一種批評方法均增加了批評範例，《英語電影與西方文化批評流派》是英語語言文學類本科、研究生的必讀書目，也可成為影視文學愛好者的參考讀物。
圖書目錄
Preface
1. Why We Study Film in English Language Arts？
2. Why We Need to See Films and Read This Book？
3. Languages and Cultures Reflected from Film
4. The Important Impact of Films on Daily Life
5. Differences Between a Book and a Film
6. Words for Instructors
Chapter One Popular Culture and Film History
1. Film and Popular Culture
2. History of Motion Picture
3. Producing a Motion Picture
4. Film Distribution
Chapter Two International Festivals and Film Studios
1. International Film Festivals
2. International Film Companies
3. Western Festival Markets and Western Discourse Effect
Chapter Three Film Criteria and Cultural Values
1. No Scientific Measurer
2. Individualism and Different Cultural Psychology
3. Moral Values and Cultural Psychology in China
4. Film Characters Forming under the Chinese Context
5. Edward Said and Orientalism
Chapter Four Classification and Vocabulary of Films
1. Classification in Britain
2. Classification in USA
3. Classification in Australia
4. Question： Emphasis on Sex Versus Violence
5. Vocabulary of Film
Chapter Five Film Genres and Artistic Feature
1. Genre and Methodology to Classify
2. Analysis Examples of Selected Main Genres
Chapter Six The Literary Movements and Impact to Films： From Classicism to Modernism
1. Romanticism Movement
2. Realism Movement
3. Modernism to Post—modemism
Chapter Seven Literary Critical Approaches to Film
1. Cultural Criticism （Cultural Studies）
2. Post-colonial Criticism
3. Structuralism and Semiotics Criticism
4. Historical and New—historicism Criticism
5. Formalism Criticism and New Criticism
6. Sociological Criticism and Marxist Criticism
7. Gender Studies （Feminist Criticism）
8. Psychological Criticism
9. Mythological Criticism （Archetypal Criticism）
10. Reader—response Criticism
11. Deconstructionist Criticism （Poststructuralist， Post—modernism）
12. Biographical Criticism
13. Ecocriticism（Ecological Criticism）
Reference
1. Why We Study Film in English Language Arts？
2. Why We Need to See Films and Read This Book？
3. Languages and Cultures Reflected from Film
4. The Important Impact of Films on Daily Life
5. Differences Between a Book and a Film
6. Words for Instructors
Chapter One Popular Culture and Film History
1. Film and Popular Culture
2. History of Motion Picture
3. Producing a Motion Picture
4. Film Distribution
Chapter Two International Festivals and Film Studios
1. International Film Festivals
2. International Film Companies
3. Western Festival Markets and Western Discourse Effect
Chapter Three Film Criteria and Cultural Values
1. No Scientific Measurer
2. Individualism and Different Cultural Psychology
3. Moral Values and Cultural Psychology in China
4. Film Characters Forming under the Chinese Context
5. Edward Said and Orientalism
Chapter Four Classification and Vocabulary of Films
1. Classification in Britain
2. Classification in USA
3. Classification in Australia
4. Question： Emphasis on Sex Versus Violence
5. Vocabulary of Film
Chapter Five Film Genres and Artistic Feature
1. Genre and Methodology to Classify
2. Analysis Examples of Selected Main Genres
Chapter Six The Literary Movements and Impact to Films： From Classicism to Modernism
1. Romanticism Movement
2. Realism Movement
3. Modernism to Post—modemism
Chapter Seven Literary Critical Approaches to Film
1. Cultural Criticism （Cultural Studies）
2. Post-colonial Criticism
3. Structuralism and Semiotics Criticism
4. Historical and New—historicism Criticism
5. Formalism Criticism and New Criticism
6. Sociological Criticism and Marxist Criticism
7. Gender Studies （Feminist Criticism）
8. Psychological Criticism
9. Mythological Criticism （Archetypal Criticism）
10. Reader—response Criticism
11. Deconstructionist Criticism （Poststructuralist， Post—modernism）
12. Biographical Criticism
13. Ecocriticism（Ecological Criticism）
Reference
