1962年 斯洛伐克語 電影。史蒂芬·烏赫爾作品。
基本介紹
- 中文名：巢中的日出
- 外文名：Slnko v sieti
- 其它譯名：網中的太陽 Slnko v sieti
- 導演：史蒂芬·烏赫爾
- 類型：劇情
- 對白語言：斯洛伐克語 / 捷克語
基本信息,影片簡介,主創人員,導演Director,編劇Writer,攝影Cinematography,剪輯Film Editing,原創音樂Original Music,美術設計Art Direction by,副導演/助理導演Assistant Director,
基本信息
導演: 史蒂芬·烏赫爾
編劇: Alfonz Bednár
主演: Marián Bielik
類型: 劇情
製片國家/地區: 捷克斯洛伐克
語言: 斯洛伐克語 / 捷克語
片長: 90 分鐘(捷克斯洛伐克)
又名: The Sun In A Net
IMDb連結: tt0176155
影片簡介
Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blažejová (Jana Beláková), takes off to a formally-volunteer summer work camp at a farm, actually mandated by the authorities, which inspires both him and Bela to start a relationship with someone else. A parallel story peels layers off Bela's permanently tense home life marked by her blind mother's (Eliška Nosáľová) studied helplessness, and her father's (Andrej Vandlík) revealed infidelity and past break with his father (Adam Jančo) who happens to live in the village where Fajolo is finding some consolation in the arms of a fellow student-volunteer Jana (Oľga Šalagová). As Fajolo begins to pry into Bela's grandfather's secrets, she, in turn, allows her new boyfriend Peťo (Ľubo Roman) to read and deride Fajolo's discursive and indirectly remorseful letters from the farm.
The solar eclipse barely discerned by the main characters through thick clouds at the beginning of the film is echoed by summer and fall images of the sun[3] as they present themselves to all of them at various points in the film through a fisherman's net from his pontoon on the Danube beyond the city's suburbs, which Fajolo and Peťo have discovered independently and use as a swimming deck, a place to ponder life, or to try to seduce Bela. When, however, Bela brings her mother and brother Milo (Peter Lobotka) to the pontoon after a series of subdued interpersonal crises, the pontoon is on dry land because the water level has dropped, and the film ends with Bela and Milo lying to their mother about what they can see as they did about the visibility of the eclipse during the opening sequences.
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The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.
The solar eclipse barely discerned by the main characters through thick clouds at the beginning of the film is echoed by summer and fall images of the sun[3] as they present themselves to all of them at various points in the film through a fisherman's net from his pontoon on the Danube beyond the city's suburbs, which Fajolo and Peťo have discovered independently and use as a swimming deck, a place to ponder life, or to try to seduce Bela. When, however, Bela brings her mother and brother Milo (Peter Lobotka) to the pontoon after a series of subdued interpersonal crises, the pontoon is on dry land because the water level has dropped, and the film ends with Bela and Milo lying to their mother about what they can see as they did about the visibility of the eclipse during the opening sequences.
--------------------------------------------
The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.
主創人員
導演Director
史蒂芬·烏赫爾
Stefan Uher
編劇Writer
Alfonz Bednár - writer
攝影Cinematography
Stanislav Szomolányi
剪輯Film Editing
Bedrich Voderka
原創音樂Original Music
Ilja Zeljenka
美術設計Art Direction by
Juraj Cervik
副導演/助理導演Assistant Director
Eduard Grecner - assistant director
