基本介紹
- 中文名：和諧的靈感
- 外文名：L'estro armonico
- 作曲家：維瓦爾第
- 創作時間：1711年
- 類型：小提琴協奏曲
曲目,Concerto No. 1, RV 549,Concerto No. 2, RV 578,Concerto No. 3, RV 310,Concerto No. 4, RV 550,Concerto No. 5, RV 519,Concerto No. 6, RV 356,Concerto No. 7, RV 567,Concerto No. 8, RV 522,Concerto No. 9, RV 230,Concerto No. 10, RV 580,Concerto No. 11, RV 565,Concerto No. 12, RV 265,作者介紹,
曲目
Concerto No. 1, RV 549
Concerto No. 1 inD majorfor four violins, cello and strings,RV549:
- Allegro
- Largo espiccato
- Allegro
Concerto No. 2, RV 578
Concerto No. 2 inG minorfor two violins, cello and strings, RV 578:
- Adagio e spiccato
- Allegro
- Larghetto
- Allegro
Concerto No. 3, RV 310
Concerto No. 3 inG majorfor solo violin and strings, RV 310:
- Allegro
- Largo
- Allegro
Concerto No. 4, RV 550
Concerto No. 4 inE minorfor four violins, cello and strings, RV 550:
- Andante
- Allegro assai
- Adagio
- Allegro
Concerto No. 5, RV 519
Concerto No. 5 inA majorfor two violins, cello and strings, RV 519:
- Allegro
- Largo
- Allegro
Concerto No. 6, RV 356
Concerto No. 6 inA minorfor solo violin and strings, RV 356:
- Allegro
- Largo
- Presto
Concerto No. 7, RV 567
Concerto No. 7 inF majorfor four violins, cello and strings, RV 567:
- Andante
- Adagio
- Allegro – Adagio
- Allegro
Concerto No. 8, RV 522
Concerto No. 8 in A minor for two violins and strings RV 522:
- Allegro
- Larghetto e spiritoso
- Allegro
Concerto No. 9, RV 230
Concerto No. 9 in D major for solo violin and strings, RV 230:
- Allegro
- Larghetto
- Allegro
Concerto No. 10, RV 580
Concerto No. 10 inB minorfor four violins, cello and strings, RV 580:
- Allegro
- Largo – Larghetto
- Allegro
Concerto No. 11, RV 565
Concerto No. 11 inD minorfor two violins, cello and strings, RV 565:
- Allegro – Adagio e spiccato – Allegro
- Largo e spiccato (akaSiciliano)
- Allegro
Concerto No. 12, RV 265
Concerto No. 12 inE majorfor solo violin and strings, RV 265:
- Allegro
- Largo e spiccato
- Allegro
作者介紹
維瓦爾第在作曲方面所涉獵的音樂形式繁多，但人們公認他為巴洛克協奏曲領域的王者之一，維瓦爾第諸多創作中流傳至今的重要作品也以這類協奏曲居多。據統計，他一生總共寫作了400多首協奏曲，其中包括獨奏協奏曲和管弦樂協奏曲（兩者的區別在於前者為突出獨立的樂器而作，後者則是專為管弦樂團或合奏團譜寫的）。這些作品充分體現出維瓦爾蒂的音樂天賦，從中我們可以聽到鮮活的旋律、熱情的節奏、華麗的音色以及令人感到意外的音樂主題和對比變化，可以說這些協奏曲充分體現出了巴洛克音樂的特色。另外他還將巴洛克協奏曲三個樂章的組成定型為“快-慢-快”的變化方式，成為了同類作品中的典範（當然也有例外，維瓦爾蒂自己的創作中就有兩樂章或四樂章的協奏曲）。在其眾多作品裡，有三組協奏曲（每組十二首）最為人們所熟悉——《和諧的靈感 Op.3》、《異乎尋常 Op.4》以及《和聲與創意的實驗 Op.8》。
