中國古代木刻與新興木刻

《中國古代木刻與新興木刻》是1995年外文出版社出版的圖書，作者是李樺。

基本介紹

• 作者：李樺
• 譯者：左伯陽
• ISBN：9787119003887
• 頁數：210
• 定價：228.00
• 出版社：外文出版社
• 出版時間：1995-01
• 裝幀：精裝

內容介紹

PROFESSOR Ij Hua, chairman of the Chinese

Woodcutters' Union, is one of the

tounders of the modem Chinese woodcut

movement. For more than half a cenhury he has

been working as an artist and a teacher. He is

a most accomplished woodcutter and also a

collector and researcher of andent Chinese

woodcuts. With (full and accurate historical data

and a penebating and original point of view, his

Chinese Woodcuts describes, in two parts, the

development of the art from andent to modem

times. Representative works of all epochs have

been colleded for this book. It is a profound

study of both the theory and practice of the art

of the woodcut.

作者介紹

About the Author

Ll Hua, a native of Panyu County,

Guangdong Province, was bom in 1907.

In 1926 he graduated from the

Guangzhou Institute of Art and began to teach

there. Since 1934 he has been engaged in the

modem woodcut movement. He was president

of the AH-China Woodcutters Association;

organized the Modem Block Print Association in

Guangzhou; edited a series on the modem block

print. After the founding of New China in 1949

he became a professor at the Central Academy

of Fine Arts and dean of the woodcut

department, a member of the Chinese Federation

of Writers and Artists, a standing committee

member of the Chinese Artists' Union, chairman

of the Chinese Woodcutters' Union, and

editor-in-chief of the joumal Block Print. For a

long time he has been teaching and researching

art theory. His woodcuts have been repeatedly

exhibited at home and abroad. Selected works

have been published. Significant works are

Selected Woodcuts of Li Hua, Twenty Lectures on the

Laws ofArtistic Creation, and Free Talk on the Realm

of Art.

作品目錄

Contents
Introduction
Part One Ancient Woodcuts
I. The Invention of Chinese Block Printing and the Rise of Woodcut Prints
11. Woodcut Prints from the Tang Dynasty and the Five Dynasties
III. Woodcut Prints of the Song and Yuan Dynasties
IV. Woodcut Prints of the Ming Dynasty
1. Prints of the Early Ming Dynasty
2. Woodcut Prints of Mid Ming Dynasty
3. The Hui School of Engraving
4. Rise ot Art-Manual Block Prints
5. The Climax of Late Ming Dynasty Woodcut Prints
V. Woodcut Prints of the Qing Dynasty
1. Imperial Block Prints of the Early Qing Dynasty
2. Resurgence of Woodcut Prints
3. The Lingering Light of Woodcut Prints at the End of the Qing Dynasty
4. The Rise of Rongbaozhai
VI. Woodcuts Among the People
1. Yangliuqing New Year Prints
2. Taohuawu New Year Prints
3. Southem Shanxi New Year Prints
Part Two Modem Woodcuts
I. Lu Xun and the Modem Woodcut Movement
1. Background of the Times
2. Why Lu Xim Advocated the Modem Woodcut
3. How Lu Xun Fostered the Modem Woodcut
11. The Modem Woodcut Movement in Shanghai in the Thirties
III. Nationwide Modem Woodcut Movement in the Forties
1. Woodcut Movement in Liberated Areas
2. Woodcut Movement in Kuomintang Areas
IV. Development of Woodcut Prints After the Birth of New China
Afterword
List of Plates