Trust in the World

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This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it ...(展開全部) This book examines the theory, originally raised in Gilles Deleuze's philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant, Nancy, Agamben, Benjamin and Rancière. It concludes with examination of Cavell's solution to the problem of scepticism and a synthesis of Kantian aesthetic theory with Cavellian pragmatism. Originally published in German under the title Vertrauen in die Welt, this English-language translation features a new introduction that situates Früchtl's work within contemporary analytical philosophy of film. It will be of interest to scholars working in Continental aesthetics, philosophy of film, and film theory. 機譯，僅供參考：本書考察了最初在德勒茲的電影哲學中提出的理論，認為電影有能力恢復我們對世界的信任。Früchtl表明，電影以三種主要方式來做到這一點：恢復我們對荒謬，身體上的懷疑和棄權的懷疑。電影院與其他藝術分享這種能力，但特別的是，它喚起了現代性及其主觀性原則。本書通過綜合康德，南希，阿甘本，班傑明和朗西埃等互補思想家的哲學，進一步發展了信任與電影的理念。最後，考察卡維爾解決懷疑問題的方法，並用卡維利實用主義綜合康德美學理論。最初以德文出版在世界報Vertrauen，這個英文翻譯提供了一個新介紹說座落薄膜當代分析哲學中Früchtl的工作。大陸美學，電影哲學和電影理論的學者將會感興趣。 Josef Früchtl is Professor of Philosophy of Art and Culture at the University of Amsterdam, The Netherlands. His major research interests are aesthetics, especially the relationship

Trust in the World

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