Rodchenko and Popova

Rodchenko and Popova

《Rodchenko and Popova》是一本圖書,作者是Tupitsyn, Margarita (EDT), Kiaer, Christina (CON)

基本介紹

  • 外文名:Rodchenko and Popova 
  • 作者:Tupitsyn, Margarita (EDT)、 Kiaer, Christina (CON)
  • 出版時間:2009年9月
  • 頁數:192 頁
  • ISBN:9781854377968
  • 定價:45.14 美元
內容簡介
Alexander Rodchenko (1891-1956) and Lyubov Popova (1889-1924) were involved in the Russian avant-garde during its most exciting period following the Russian Revolution, as they and other artists took part in the attempt to create a new world. As leading lights in the Constructivist movement they were responsible for an astonishing array of iconic works. This groundbreaking book...(展開全部) Alexander Rodchenko (1891-1956) and Lyubov Popova (1889-1924) were involved in the Russian avant-garde during its most exciting period following the Russian Revolution, as they and other artists took part in the attempt to create a new world. As leading lights in the Constructivist movement they were responsible for an astonishing array of iconic works. This groundbreaking book, the first to give the female and male artist equal status, will throw new light on their achievements and the extent of their influence, still felt today. The book will be in four main sections, each examining the artists' production during a particular time period. Section 1 spans the years from the Revolution in 1917 to 1921, when both artists believed that abstract art had the potential to transform everyday life. Popova was perhaps the leading painter of the Constructivist movement; Rodchenko moved into the field of three-dimensional constructions, under the influence of his friend Tatlin. Section 2 will focus on the legendary 5x5=25 exhibitions and will include works by other participating artists. The third section will cover 1921 to 1924, the year Popova's life was tragically cut short by scarlet fever. This was the period when both artists came to believe that art for art's sake was parasitical and plunged into the practical realms of artistic production. Illustrations of their projects will demonstrate the extent of their influence on twentieth-century graphic design, fashion, media, theatre and cinema. Section 4 follows Rodchenko's move into photography, the medium for which he is

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